CURRITUCK LIGHTHOUSE LEGACY
KEEPERS' KIN TO
GATHER HISTORY OF THOSE WHO TENDED THE LIGHT HAS BECOME A BOOK
(The Virginian-Pilot - October 21,
1999; pg. B1 by Jeffrey S. Hampton)
The 162-foot red brick
Currituck Beach Lighthouse is well preserved, but the stories that go with it
spanning the past 124 years still need saving.
The hope is that the first
reunion of the 300-plus descendants of Currituck's lighthouse keepers Saturday
will take care of that.
At the reunion, descendants will
be treated to a small book of recently collected oral histories from keeper
relatives, a tour of the seldom-seen keepers quarters, free T-shirts and good
food. In return, the festivities should stir up some story-swapping among the
cousins that will expand on the oral history book.
Since descendants with
first-hand memories are aging, the opportunity was too important to wait until
next year for the 125th anniversary of the commissioning of the lighthouse, said
Lloyd CHILDERS, executive director of the
Outer Banks Conservationists and current keeper of the Currituck Beach
Lighthouse.
"I realized we were losing
the descendants quickly, and if we didn't do something it could be lost
forever," she said Wednesday from her office on the restored lighthouse
grounds. "We lost three or four of them last year."
The Outer Banks
Conservationists hired historian Jenny EDWARDS, a native of Manteo, to come here
from her Wilmington home to collect 25 interviews on 75 hours of tape and spend
320 hours writing a brief history of the lighthouse keepers and their families,
all in three months. The card-stock, bound book is "little more than a work in
progress," EDWARDS says in a note to readers. Every descendant will get a copy.
Saturday and over the next couple of years, more memories will be added and any
mistakes corrected so that a larger hardbound book can be published,
CHILDERS
said. "In every family there's
somebody who is into genealogy and is writing down stuff," she said.
The descendants are flattered
over the attention, said Norris AUSTIN, the 61-year-old grandson of keeper
William Riley AUSTIN. "We're really looking forward
to it," AUSTIN said from his apartment above the Corolla post office.
"We've never had a reunion like this." AUSTIN had not been born when
his grandfather retired in 1928, but he remembers stories his father told - the
kinds of stories that go into the history book. "When he moved here, he had
three sons, Edgar, Pell and my daddy," AUSTIN said.
"My daddy was 3 months old."
Children and grandchildren of
Riley AUSTIN kept the grass from growing through the brick walkway by trimming
it with a pocket knife, AUSTIN said. They were also given the duty of picking up
the dead ducks and geese that had crashed into the lighthouse the night before
after being blinded by the flash. The children were instructed to deliver the
wildfowl to the older folks, who might need some meat for supper,
AUSTIN said.
The 70-page book is full of
similar stories that go back to the early days of the lighthouse. The federal government paid
$225 for 36 acres to build a lighthouse that would fill in a dark spot along the
coast between Cape Henry Lighthouse 34 miles north and Bodie Island Lighthouse
32 1/2 miles south. The Currituck Beach Lighthouse was commissioned in 1875
after two years of construction and included 214 steps and approximately 1
million bricks.
The first lamp burned mineral
oil, which was subsequently changed to kerosene and finally to electricity and
automation in 1939. The light still operates on the sequence of three seconds on
and 17 seconds off.
In the early days, the lighthouse
keeper had a tough daily routine carrying oil up to the lamp, cleaning ice or
soot from the lens, trimming the wicks and every 2 1/2 hours rewinding the
turning mechanism that allowed the light to flash toward the ocean every 20
seconds. It worked much like a grandfather clock.
The lantern, and later the
light, was surrounded by a Fresnel lens that with its prism-like surfaces
harnessed the full impact of the light until the right moment. When the clear or
red glass opening in the lens faced the ocean, the brightest possible flash was
sent seaward up to 18 nautical miles.
The story is told in the book
that Riley AUSTIN climbed the steps so many times that he walked with a high
step even when he was on flat ground.
After automation, the
lighthouse keepers didn't have to stay on site anymore. During the next 30-plus
years, the keepers quarters and other buildings fell into disrepair. The site
was nearly overgrown with thick brush. Snakes and other creatures lived in the
house.
The restoration idea began in
the late 1960s and 1970s when John WILSON, a great-grandson of keeper Homer
AUSTIN, visited the site, was saddened at the disrepair and began work to raise
money and get government support, according to an account in "To Illuminate the
Dark Space", the collection of oral histories by EDWARDS.
WILSON contacted CHILDERS, who
was with the North Carolina Department of Cultural Resources at the time. The
restoration began in 1980. Ten years later, the Outer
Banks Conservationists, formed by WILSON,
leased the grounds from the U.S. Coast Guard and began charging a fee for
visitors to climb the lighthouse. The fees help with further restoration and
maintaining services. Up to 900 people a day come to the lighthouse during the
height of the season.
Old lighthouses and the people
who lived and worked with them are in vogue now. "Suddenly, you know, people
realized that here was something that was going to be gone one of these days," said Dorothy Gaskill
SULLIVAN to her sister Erline Gaskill
WHITE in a
conversation recorded by EDWARDS in July.
SULLIVAN and WHITE are the daughters
of former lighthouse keeper Lloyd Vernon GASKILL.
"And they compare our
lighthouses to Europe's castles," WHITE said.
"Yeah,"
SULLIVAN said.
"That's our big deal,"
WHITE
said.
"Suddenly everybody's into
lighthouses," SULLIVAN said. "People look at me like,
'You're a lighthouse
keeper's daughter?' I say, 'Yeah'. And they look at you like you're
. . . you're either some sort of insect or you're royalty or something."
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© 2004 Kay Midgett Sheppard